In addition to the end sequence I prepared for the project-themes submission earlier this month, I have put together a first cut of the title sequence. This will replace the bulk of the scenes on the surface of the ice sheet – with the exception of a single ‘transition’ shot before the narrative moves into the Dreadnought itself.

I’ve also been experimenting with Blenders sky materials and prepared a sunrise and diffuse sky map to light the surface scenes that will still be included in the animation.

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